美丽人生

全区“两优一先”表彰大会召开_我的网站

一 |     本网讯 记者王雪娇报道           　　6月28日，龙港区“两优一先”表彰大会召开，会议深入学习贯彻习近平总书记关于党的建设的重要思想，认真落实习近平总书记关于东北、辽宁全面振兴的重要讲话和指示批示精神，表彰近年来在全区各条战线上涌现出的优秀共产党员、优秀党务工作者和先进基层党组织，激励全区各级党组织和广大党员、干部以习近平新时代中国特色社会主义思想为指导，全面贯彻落实党的二十大精神和二十届二中全会精神，崇尚先进、见贤思齐，再接再厉、锐意进取，为推动龙港新时代振兴发展建功立业。         　　副市长、区委书记袁伶出席会议并讲话。区人大常委会主任范立民和相关区领导出席会议。         　　会议宣读了《中共龙港区委关于表彰龙港区优秀共产党员、优秀党务工作者和先进基层党组织的决定》，并为优秀共产党员、优秀党务工作者和先进基层党组织进行了颁奖；三位受表彰代表作了发言。    

    Elliot James Reay sings on stage at a Chinese live show. Photo: Courtesy of UMG
Elliot James Reay could have copied every other Western act and sung a Taylor Swift cover. Instead, he took 1950s rock'n'roll to a live TV show where autotune is switched off and discovered a version of fame that Britain has forgotten.
Elliot James Reay was traveling in the US, trying to finish a song, when his manager called. There was an invitation to join Singer 2026, a prime-time live music show in China. Reay didn't hesitate. He had traveled the world before he was a full-time musician, but had run out of money before reaching China. "I went everywhere but China," he said while sitting for an interview with the Global Times, sitting in the office of his label in Beijing, from which the Palace Museum can be seen not far away. 
Reay is, in the West, a very 2020s kind of artist. He began posting short covers on short video platform TikTok in 2019; during the UK Covid lockdown, he chose to focus on growing his fan base. He now has millions of followers across platforms, and his debut single notched 10 million views before it was even released. In the British industry, this is both a leg-up and a trap. "You can have all the followers," he says, "but they don't guarantee people will buy tickets."
In China, that equation flipped.
    Elliot James Reay sings on stage Photo: Courtesy of UMG
Nervous again
The Chinese show, Singer 2026 is broadcast completely live, with no pitch correction. For Reay, who had played enough small gigs to feel comfortable in his own skin, it was a shock. "I haven't felt nerves in a long time," he says. "But I've never been in a competition before. To have my singing judged against other people made me really nervous."
He watched Week One's performances from the wings and saw why. "The standard was terrifying," he says. 
But the format, he admits, is something the UK no longer has: a televised singing contest that treats vocal ability as a public event, not a pre-packaged product. "It made me feel like I just started my career again."
Reay's lane is retro. Not as pastiche, but as lineage. He wears the silhouette of Elvis Presley, sings in the grain of 1950s pop, and writes songs that sound like they were cut from a Sun Records demo. He could have sanded it down for Chinese audiences, but he didn't.
"Someone has to start the wave before you can see it," he says. Among the songs he performed were "Unchained Melody" and his original track "I Think They Call This Love," which he co-wrote with his girlfriend. He points out that the Beatles still sit next to Taylor Swift on the radio, and that pop started in the 50s. "It's the foundations of pop," he says.
Learning to feel the words
In the final, Reay performed a bilingual version of the Chinese song "Hou Hui Wu Qi" (The End of the World). It was his first time singing in another language. He spent five days learning the Chinese lyrics, listening to the original on loop.
"There are sounds in Chinese we just don't have in English," he says. "I couldn't hear the difference at first. I'd say it, and Helen (his translator) would say, 'No.' I thought I was saying the same thing." Eventually, he stopped trying to hear it and started trying to feel it. "It became more about how it felt to say it. How I place my tongue in my mouth," he says.
He didn't understand the meaning until day three. "Helen gave me a card with the Chinese characters and the English translation. It's very poetic," he says. The performance received a strong reaction, with it being called an attempt at "cultural fusion." 
He had saved his own original, "I Think They Call This Love," co-written with his girlfriend, for the same final. He had held the song back deliberately. "I knew that any week was my last week," he says, "but I knew that if I made it to the grand final that I had to do it then." He had no idea it would become the last song of the entire show. 
When he finished, he walked straight off stage, took his girlfriend's hand, and the two of them left together, a moment that trended on Chinese social media that night. 
The song is about the exact point they realized they were in love; it was also the first track of his career he fully believed in and pushed into the world. Having her there to watch it live, after weeks of her only seeing performances on a phone in a hotel room, "tied the whole thing in a bow at the end."
A touring musician, not a TikToker 
Reay is open about the tension between his origin story and his ambition. "I don't want to be a TikTok celebrity," he says. "I'm a musician. I want to tour." 
The platform gave him an audience, but it also boxed him in. He remembers friends who wrote incredible songs during lockdown, while he chose to build a fan base. Now, he says, some of those friends have had to stop writing and make TikTok videos instead.
China, he says, gave him permission to be both an online creator and a live performer. Universal Music, his label, didn't push him to chase trends. "They never said, 'Do this, do that,'" he says. "They supported what I wanted to sing, and then they made it the best version they could."
Before Reay, a string of international artists had already found warm receptions and career-shifting opportunities in China. Kazakhstani singer Dimash Kudaibergen, Malaysian star Shila Amzah, US country artist Mickey Guyton, British vocalist Jessie J, and French singer-songwriter Joyce Jonathan all won large Chinese audiences through high-profile television appearances and live performances, each using the platform to open a new chapter in their careers.
He's already planning a return. He wants to bring a tour. He wants to buy the traditional instruments he saw on set and take them home to England. "I'm going to learn how to play them," he says, "and maybe put them into my music."
The advice he'd give other Western artists looking East is to stay loyal to yourself. "Be yourself," he says. "It's very easy to want to change yourself to fit into a market, but at the end of the day, if you stay true to yourself, you'll be happy."
"In the UK, I felt like I needed to do other things to make other people happy," he says. 
"If I hadn't stopped doing that, I wouldn't be sitting here. I wouldn't have done the show. My whole journey would be different," he says.
。

二 |          　　袁伶代表区委向受表彰的“两优一先”个人和党组织表示热烈祝贺，向广大共产党员、党务工作者致以节日问候和崇高敬意。袁伶指出，近年来，龙港区坚持以习近平新时代中国特色社会主义思想为指导，深入贯彻党的二十大精神和习近平总书记关于东北、辽宁振兴发展的重要讲话和指示批示精神，坚决扛起维护“五大安全”重要使命，一手抓高质量发展、一手抓全面从严治党，全力实施全面振兴新突破三年行动，取得了经济总量在蹄疾步稳中不断壮大、产业结构在多极支撑中转型发展、营商环境在深化改革中更加暖心、人民生活在持续改善中越来越好、党的建设在政治统领中全面加强等多个令人振奋的可喜成果。成绩的取得，凝聚着全区各级党组织、全体共产党员的心血和汗水，得益于基层党组织战斗堡垒作用和党员先锋模范作用的发挥。全区各级党组织和广大党员干部要以先进典型为标杆，将榜样力量转化为攻坚克难、砥砺奋进的强大动力。         　　袁伶强调，要坚持把党的事业放在心中最高位置，坚定不移听党话、矢志不渝跟党走。要坚持深学笃行习近平新时代中国特色社会主义思想，坚持学而思、学而用、学而行，持续增强打赢攻坚之年攻坚之战的信心和底气。要坚持站在高质量发展的第一线，锐意改革攻坚、埋头苦干实干。要树牢“项目为王”理念，坚持以招商增后劲，扎实做好结构调整“三篇大文章”，建强科技创新“新引擎”，用好用活文旅资源。

三 | 要坚持用心用情纾民困、解民忧。要树牢群众观点、站稳人民立场，办实事、惠民生；优生态、净环境；强治理、保安全，着力营造平安和谐稳定的社会环境。要坚持加强党的自身建设，提高拒腐防变能力、永葆政治本色。要牢固树立“抓好党建是最大政绩”的理念、“苦干实干提拔重用、跑要躲闪坚决不用”的鲜明选人用人导向，驰而不息纠治“四风”，弘扬务实作风。要学习先进、争当先进，攻坚克难、开拓创新，奋力谱写中国式现代化龙港新篇章。

Current article:http://vqo9gp.tandianxiuzhutiaoshoudiamei.pics/ppyz/835hd34.html

Published on:05:17:15